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George Mathew
Sensemaya,
Silvestre Revueltas
Sinfonía No. 5, Serguei Prokofiev
Concerto for violin and orchestra, Roque Cordero
Soloist, Rachel Barton Pine
| Strings |
José
Aurelio Castillo Pereira, violin
(concertmaster –
Sinfónica Nacional de Costa Rica)
Mary Ann Mumm,
violin / viola (soloist and chamber musician)
Craig Mumm,
viola
(associate principal – Metropolitan Opera
Orchestra) |
| Woodwinds |
Mathew
Krejci*, flute (principal – California Chamber Orchestra y
Sacramento Philharmonic Orchestra)
Thomas Nugent*, oboe (principal – Sacramento Philhamonic
Orchestra)
Patricia Shands*, clarinet (Sacramento Philharmonic Orchestra)
Nicolasa Kuster*, basoon (principal – New Hampshire Music
Festival) |
| Brass |
Jennie
Blomster*, french horn (Fresno Philharmonic Orchestra)
Lacey
Hays, trumpet
(Youth Orchestra of the Americas)
Ingrith Saavedra,
tuba (Cuarteto de Tubas "Gravíssimo," Lic. en
Mus. Universidad de Panama, Conservatorio de Música de
Puerto Rico, Magister en Mus. Illinois State University)
*Members of the Pacific
Arts Woodwind Quintet |
| Percussion |
Leonardo
Soto, percussion (principal
timpani – Charlotte
Symphony
Orchestra) |
Flute
Mendez, Marcela (Costa Rica) – 1 flute – (rotating)
Villegas, Raquel (Costa Rica) – 1 flute – (rotating)
Ruiz Acosta, Manuel Arnuffo (Panama) – 2nd flute
Herrera González, Rómulo Luis (Panama) – 3rd flute
Piccolo
Ruiz Acosta, Manuel Arnuffo (Panama)
Oboes, English horns
Magallón, Leopoldo (Panama)
Quintero Fonseca, Indira (Costa Rica)
#Escala, Vladimir (Panama) – 3rd oboe
Clarinet in Sib
Fong Castillo, Alexis Euclides (Panama) – 1st clarinet (rotating)
Jansen, Matthew (Panama) – 1st clarinet (rotating)
Henry, Roberto (Costa Rica) – clarinet – 2nd clarinet
Bass Clarinet in Sib
Arosemana Sandoval, Ana Patricia – bass clarinet
Bassoon
Ferrabolé, Melanie (Panama)
Chong Ávila, Hiroi Augusto (Panama)
Odvil, Keith (Panama)
Contrabassoon
Horns in Fa
De León Ramos, Erick (Panama) – 1rst horn
#Ramos, Martha (Panama) – horn
#Irving (Panama) – horn
#Zúñiga, José (Panama) – horn
Trumpets
Pagán, Juan (Panama) – 1st and 2nd trumpet (rotating)
Acevedo, Jossué (Panama) –1st and 2nd trumpet (rotating)
#Rivera, René (Panama) – 3rd trumpet
Trombones
Pinto Arias, Gerardo (Panama) – 1st trombone
Sandoval Romero, Jonathan César (Panama) – 2nd trombone
Bass Trombone
Luisano, Luis (Costa Rica) – bass trombone
Tuba
Vanegas de León, José Daniel (Panama) –
Dutary Barrios, Edgar Alberto (Panama) –
Timpani
Aguilar, Fermín (Panama)
Percussionists
Díaz, Alexis (Panama)
#Santamaría, Michelle (Panama)
#Alternate Students
Violins/Violas
Maria Jesus (Costa Rica)
Amaya, Ana Isabel (Guatemala)
+Barradas Galván, Francisco Eduardo (Mexico)
Castaño, Laura (Guatemala)
Castro, Cristian (Guatemala)
+Fernández López, Perla del Rocío (Mexico)
+Flores Contreras, Carolina (Mexico)
*Galdamez, Andrea (Guatema)
García, Dennis (Honduras)
García, Lesvin (Honduras)
González Ayala, Cinthia Yelena (Panama)
+Guevara Díaz, Zahil (Mexico)
Luarca, Alex (Guatemala)
+Melgar Blancas, Delia Yessica Pamela (Mexico)
+Montes Briones, Dante Augusto (Mexico)
Olivero Juárez, Lorenzo (Panama)
Olivero Juárez, Lorenzo Javier (Panama)
Ovalle, Luis (Guatemala)
Racines Smatecuic, Oryana (Panama)
*Reyes, Alvaro (Guatemala)
+Uribe Domínguez, Daniel Itzcoatl (Mexico)
+Vázquez Hernández, Gabriel (Mexico)
+Vázquez Hernández, Lina (Mexico)
+Velázquez Ávila, Salvador (Mexico)
Villegas, Ana Cecilia (Guatemala)
Alvarado, Maynor (Guatemala)
*de Gandarias, Iunuhe (Guatemala)
+García Salas, Anamar (Mexico)
Marroquín, Astrid (Guatemala)
Medina Veiga, Santiago Raúl (Uruguay)
+Vázquez Aguilar, Abraham (Mexico)
+Villalpando Dijas, Jesús Eduardo (Mexico)
Cello
Añón Sobrera, Ignacio Darío (Uruguay)
Castro Castillo, Adriana (Mexico)
+Cruz Morales, Ángel Manuel Adrián (Mexico)
Galdamez, Ana (Guatemala)
Gonzalez Herrera, Diego (Uruguay)
Guzman, Melvin (Guatemala)
Moreno Ottonello, José Pedro (Uruguay)
+Presa Rodríguez, Cintia (Mexico)
Rodas, Valery (Guatemala)
Rojo, Lucía (Uruguay)
*Vasquez, Kenneth (Guatemala)
Contrabass
Donate, Andres (Guatemala)
Expósito, Marcos (Uruguay)
+Godínez Dominguez, Ulises (Mexico)
+Hernández Montero, Carlos Darío (Mexico)
Urrutia, Jorge (Guatemala)
*Cuarteto Asturias
+Orquesa Juvenil del Estado de Veracruz
Date:
Friday January 8th, 2010, from 9:00 a.m. until
1:00
p.m.
Location: Headquarters of the Santa Marta Parish in Altos del
Chase, Bethania
Deadline to turn in
the application and reserve a slot for the live audition is Tuesday
December 15, 2009.
Only applicants
residing outside the country of Panama can audition by CD or DVD. For
these applicants the deadline to turn in the application and the CD or
DVD is January 12, 2009. The application can be sent to our e-mail
address info@funsincopa.org,
and the CD or DVD should be sent to our address in Panama:
Fundación
Sinfonía Concertante de Panama
Apartado 0819-09088
El Dorado
Panama, República de Panama
Minimum:
15 years old
Maximum: 35 years old
Visit this link to
obtain the application to participate in the Orchestra of the Alfredo
de Saint Malo Music Festival 2010:
Application
to Participate in the Orchestra of Alfredo de Saint Malo Music
Festival 2010  (88 KB)
Click on the word
“Excerpt(s)” to download the orchestral excerpts of
each instrument.
Strings
- First movement
of a standard concerto.
- Mozart;
Symphony No. 35; Ist mov., from the beginning to measure 35. Excerpt
- Prokofiev:
Symphony No. 5; Ist mov., rehearsal number 22 to the first measure of
rehearsal number 24. Excerpt,
page 1
- Prokofiev:
Symphony No. 5; IV mov., rehearsal number 81 to the seventh measure of
rehearsal number 82.
Excerpt,
page 2
- First movement
of a standard concerto.
- Shostakovich:
Symphony No. 5; rehearsal number 15 to 17.
- Prokofiev:
Symphony No. 5; Ist mov., six measures before rehearsal number 14 to
the fourth measure of rehearsal number 15.
- Prokofiev:
Symphony No. 5; Ist mov., ten first measures of rehearsal number 22.
- First movement
of a standard concerto.
- Prokofiev:
Symphony No. 5; Ist mov., up beat to the sixth measure before rehearsal
number 14 to the fourth measure of rehearsal number 15.
- Prokofiev:
Symphony No. 5; II mov., first nine measures of rehearsal number 55.
- First movement
of a standard concerto or any other piece for solo contrabass.
- Mozart:
Symphony No. 40; Ist mov., measures 114 to 138.
Excerpt
- Prokofiev:
Symphony No. 5; Ist mov., rehearsal number 18 to the ninth measure of
rehearsal number 19. Excerpt
Woodwinds
and Brass
* We encourage the applicants to also prepare the excerpts for the
auxiliary instruments (piccolo, english horn, clarinet in Eb, and bass
clarinet). Note: It is not a requirement to audition with the auxiliary
instrument. If you do not have or do not play an auxiliary instrument,
this will not affect the outcome of your audition.
- First movement
of a standard concerto.
- Prokofiev:
Symphony No. 5, Ist mov., rehearsal number 21 to the first measure of
rehearsal number 24. Excerpt
- Mendelssohn :A
Midsummer Night’s Dream; Scherzo, two measures before
rehearsal letter P to the end. Excerpt
- Tchaikovsky:
Symphony No. 4; III mov., measures 162 to 203.
- First movement
of a standard concerto.
- Prokofiev:
Symphony No. 5; Ist mov., rehearsal number 21 to the sixth measure of
rehearsal number 22.
- Prokofiev:
Symphony No. 5; II mov., rehearsal number 36 to the ninth measure of
rehearsal number 39.
- Rossini: La
Scala di Seta; Overture, measures 37 to 53.
- Prokofiev:
Symphony No. 5; Ist mov., six measures before rehearsal number 14 to
the second measure of rehearsal number 14.
- Dvořák:
Symphony No. 9 New World, 2nd mov., solo (measures 7 to 18).
- First movement
of a standard concerto.
- Prokofiev:
Symphony No. 5; II mov., rehearsal number 36 to the ninth measure of
rehearsal number 39.
Excerpt
- Mendelssohn:
Midsummer Night’s Dream; Scherzo, from the beginning to
rehearsal letter B. Excerpt
- Prokofiev No.
5: Ist mov.; a) first ten measures of rehearsal number 22, and b) five
measures before rehearsal number 24 to the first measure of rehearsal
number 24. Excerpt
- Shostakovich:
Simphony No. 5; 2nd mov., ten measures before rehearsal number 54 to
the first measure of rehearsal number 54. Excerpt
- Prokofiev:
Symphony No. 5; Ist mov., upbeat to rehearsal number 3 to the fifth
measure of rehearsal number 4.
- Prokofiev:
Symphony No. 5; Ist mov., 2 measures before rehearsal number 7 to the
first measure of rehearsal number 8.
- First movement
of a standard concerto.
- Prokofiev:
Symphony No. 5; Ist mov., first 7 measures.
- Prokofiev:
Symphony No. 5; II mov., a) first 22 measures of rehearsal number 39
and b) the first 10 measures of rehearsal number 55.
- Rimsky-Korsakov:
Scheherazade II mov., measure 5 to 26.
- First movement
of a standard concerto.
- Prokofiev:
Symphony No. 5; Ist mov., seven measures before rehearsal number 14 to
the second measure of rehearsal number 15.
- Prokofiev:
Symphony No. 5; Ist mov., two measures before rehearsal number 16 to
the seventh measure of rehearsal number 17.
- R. Strauss:
Ein Heldenleben; measures 1 to 17 (1st horn).
- First movement
of a standard concerto.
- Prokofiev:
Symphony No. 5; Ist mov., one measure before rehearsal number 8 to the
seventh measure of rehearsal number 8.
- Prokofiev:
Symphony No. 5; II mov., one measure before rehearsal number 55 to the
eigth measure of rehearsal number 55.
- Revueltas:
Sensemayá; upbeat to rehearsal number 23 to the first beat
of rehearsal number 25.
- First movement
of a standard concerto.
- Prokofiev:
Symphony No. 5; Ist mov., first 13 measures of rehearsal number 24.
- Revueltas:
Sensemayá; one measure before rehearsal number 23 to the
first beat of rehearsal number 25.
- Mozart:
Requiem; Tuba mirum, solo (first 18 measures).
- First movement
of a standard concerto.
- Revueltas:
Sensemayá; one measure before rehearsal number 23 to the
first beat of rehearsal number 25.
Excerpt
- Berlioz: The
Damnation of Faust; Hungarian march, measures 89 to 114. Excerpt
- Haydn: The
Creation; No. 26, first 12 measures. Excerpt
- First movement
of a standard concerto.
- Prokofiev:
Symphony No. 5; Ist mov., 5 measures before rehearsal number 16 to the
eighth measure of rehearsal number 19.
- Revueltas:
Sensemayá; rehearsal number 2 to the fourth measure of
rehearsal number 4.
Percussion
Applicants may apply for both timpani and percussion or only percussion.
Timpani
- Bartok: Music
for strings, percussion and celesta; 2nd. mov., from the upbeat of
measure 302 to measure 338. Excerpt
- Beethoven:
Symphony No. 9; Ist mov., from the upbeat of measure 17 to measure 35.
Excerpt
- Tchaikovsky:
Symphony No. 4; Ist mov., from rehearsal letter T to rehearsal letter
V. Excerpt
Percussion
- Prokofiev:
Lieutenant Kije;Ist mov., from rehearsal number 1 to 3. Excerpt
- Rimsky-Korsakov:
Scheherazade; 4th mov.. a) one measure before rehearsal letter C to
letter D, and b) from rehearsal letter P to letter R. Excerpt
- Britten: Young
Person's Guide to the Orchestra; Variation M.
- Gershwin:
Porgy and Bess; Overture, beginning (measure 4 to 18).
- P. Dukas:
L'apprenti sorcier, a) four measures after rehearsal number 17 to three
measures after rehearsal number 19, and b) from rehearsal number 22 to
24.
If you can not obtain, download, or print the orchestral excerpts
attached to this website, you can pick them up at the main office of
the Fundación Sinfonía Concertante de
Panama.
If you have any
questions about the auditions please contact us at info@funsincopa.org.
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